black_diamond.gifPart 3. TEACHERS and PEERS from UNCG or from University of North Carolina, Greensboro, North Carolina, U.S.A.black_diamond.gif

University of North Carolina at Greensboro (Carol Sutton)

http://www.carolsutton.net/text/teachers_peers_UNCG.html


MY OWN LEARNING EXPERIENCE: {INFLUENCE AND PEERS} Students and Professors

by Carol L. Sutton {Carol Lorraine Sutton, formerly known as: Carol Martin and Carol Sutton Martin}


1.
PART 1. My high school was Granby High School, in Norfolk, Virginia. I am a 1963 graduate of Granby High. See my page on Granby for more information at this link: : Granby High School, Norfolk,Virginia {VA},Sutton graduate
 
2.
PART 2. Followed by: 1967 Receives B.F.A. or Bachelor of Fine Arts Degree from Richmond Professional Institute (now Virginia Commonwealth University) and Art Achievement Award, THE GOLD KEY, representing the department of Communication and Design and Art, upon Graduation (highest Honour attainable within school - selected by faculty and by peer students), in Richmond, Virginia, U.S.A.
Richmond Professional Institute, (Carol Sutton)
3.
PART 3..Followed by post graduate work: 1969: Receives M.F. A. or Masters of Fine Arts Degree, Masters of Fine Art degree, from University of North Carolina, Greensboro, North Carolina, U.S.A., ADDRESS: University of North Carolina, Spring Garden at Tate Street, PO Box 26170, Greensboro, NC  27402-6170
 
DATE: 1967 to 1969

University of North Carolina at Greensboro (Carol Sutton M.F.A.)

University of North Carolina at Greensboro (www.uncg.edu)

usa_flag_zheimer.gifPLACE: Greensboro, North Carolina [scroll down]
 
AWARDS:
1966 web.gifVirginia Museum Fellowship* [http://www.vmfa.state.va.us/] The beautifully designed site of VMFA.
200 N. Boulevard
Richmond, Virginia USA 23220-4007
Information
Information: 804.340.1400
TDD: 804.340.1401
1967 Virginia Museum Fellowship
1967 Receives B.F.A. degree from Richmond Professional Institute (now Virginia Commonwealth University) and Art Achievement Award, THE GOLD KEY, representing the department of Communication and Design and Art, upon Graduation (highest Honour attainable within school - selected by faculty and by peer students), in Richmond, Virginia, U.S.A.
1967 Full Tuition Scholarship, to attend the 'School of Visual Arts' in New York City, New York, U.S.A.
1968 Teaching Fellowship, University of North Carolian, Greensboro, North Carolina, U.S.A.
1969 Teaching Fellowship, University of North Carolian, Greensboro, North Carolina, U.S.A.
1969 Receives M.F. A. degree, Masters of Fine Art degree, from University of North Carolina, Greensboro, North Carolina, U.S.A.,
1969 CHANCELLORS PURCHASE AWARD, University of North Carolina, Greensboro, North Carolina, U.S.A., purchase of large scale sculpture by 'Weatherspoon Art Gallery', Greensboro, N.C.
Now called: The Weatherspoon Art Museum, of the University of North Carolina. http://weatherspoon.uncg.edu/ -
 
VIEW UNCG SCULPTURE BY CAROL SUTTON-MARTIN: Carol Sutton Martin at the UNCG/ Weatherspoon Art Museum: tiny_updated.giflink on 2011
http://www.carolsutton.net/pip/carol_sutton_martin_UNCG.html
 
[Pip the cat story.]-http://www.carolsutton.net/pip/carol_martin_UNCG.


Family ties of Carol Lorraine Sutton:
Carol Sutton, formerly known as : Carol Martin, then: Carol Sutton-Martin, or Carol Sutton Martin, while attending RPI from 1963 to 1967 and UNCG from 1967 to 1969.
daughter of:
Mother: to Nancy Chester Sustare, (born November 17, 1920 in Greensboro, NC and died May 12, 1997, in Norfolk, Virginia.) daughter of Nannie Clara Williams and Beverly Townsend Sustare.
Father: web.gif"Robert William Sutton, "Red" or "Bob"[obituary] 76, of Norfolk, an industrialist, died Monday, February 13, 1995. Was born in:Norfolk, Va., on March 8, 1918, and was a lifelong resident of the city. Son ofweb.gif Porter Odry Sutton and Margaret Lorine Crocker.
 
ex-spouse of: Dennis Stillwell Martin
current spouse of: Andre Joseph Lucien Fauteux- website which has Andre Fauteux's work:web.gifwww.ccca.ca - THE CENTRE FOR CONTEMPORARY CANADIAN ART
Fauteux's latest sculpture show at Sable Castelli Gallery :{see lead page: www.carolsutton.net, then click on Fauteux near top of the page}
 


DATE: 1967 to 1969prism.gifFOUND

University of North Carolina at Greensboro

usa_flag_zheimer.gifPLACE: Greensboro, North Carolina
 
PEERS
Nevia - Joseph Shepperd Rogers-, Painter, Sculptor, born: Washington, D.C.,
Mailing address:
Beall's Pleasure,
PO Box 1268,
Landover, Maryland, U.S.A., 20785
[My friend Joseph S. Rogers and peer student at University of North Carolina in Greensboro 1967-1969][R.R. Bowker 16th edition-Who's Who in American Art, usa_flag_zheimer.gif1984 and later editions 1995-1996. Joseph, "Joe" was a friend of fellow student Ellen Norcum, of Virginia Beach, Virginia, USA.]
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SEEKING UNCG fellow student:
 
what.gifEllen Norcum, Painter, Teacher, born :circa after 1940, Lived in Virginia Beach, Virginia in the home once owned by physic Edgar Casey, Mother of four children, widow, [My friend and peer student at University of North Carolina in Greensboro 1967-1969] I own a tondo painting in grey and white, with a thin gold vertical strip dividing 2 fields of color, one raw canvas and the other a pale grey.
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My graduate school from 1967, 1968, 1969 was the

University of North Carolina at Greensboro.

My Professors were:

Gem_Blue.gif Walter Barker {Barker, William Walter Jr. }[http://www.askart.com/theartist.asp?id=31818][born 1921, St. Louis, Missouri, has work in the collection of the Weatherspoon Art Gallery, later shows in New York City at the Betty Parsons Gallery; Walter did a 'Paradox Series" while at UNCG.] after serving in the army 1942, he studied at the Washington University School of Fine Arts underweb.gif Max Beckman [1884-1950, from Germany."Born in Leipzig, Germany, Max Beckman was a key German expressionist painter who studied in Weimar and in the late 1940s was in residence in St. Louis, Missouri. "quote from biography in AskArt. Where he no doubt met my teacher, Walter Barker.]. Later after Walter married ; he gave to me an Abissian cat named 'Pip', who once belonged to Max Beckman. I used to say, " I have a famous cat; Pip belonged to Max Beckman." When I moved from Greensboro to Toronto I took Pip with me. Pip had a great respect for artwork and never stepped on my paintings even when on the floor, instead he gingerly walked around them. I imagined that 'Pip' was once been an artist in Montmartre in a previous life and had been reincarnated as a cat in this life. Walter and I were able to exchange letters after all these years. Wonderful!
tiny_updated.gifWilliam Walter Barker, , Painter, Teacher, b. Coblenz, Germany, in 1921;
Mailing address:
Department of Art, University of NC Greensboro,
North Carolina, U.S.A. 27412
-[My professor at University of North Carolina in Greensboro 1967-1969][R.R. Bowker 16th edition-Who's Who in American Art,1984flatbook.gifand later editions 1995-1996]
and: Current: New as of 2003, 2004: new3.gif
William "Wally" Barker
or
Walter W. Barker
1606 Walker Avenue
Greensboro, North Carolina,
USA, 27403
_________________________________________________________________
 
web.gifThe Pip Story, Andre Fauteux and Pip the cat, Carol Sutton Martin art University of North Carolina Greensboro, [UNCG],
Walter Barker, Wally Barker, Sutton Barker Beckman Pip Story -new3.gif
http://www.carolsutton.net/pip/andre_fauteux_pip_cat.html
http://www.carolsutton.net/pip/carol_martin_UNCG.html
http://www.carolsutton.net/pip/sutton_barker_beckman_cat.html
http://www.carolsutton.net/pip/walter_barker_12_wife.html
http://www.carolsutton.net/pip/walter_barker_baby.html
 
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My other professors were artistsGem_Blue.gif Will Insley, a.k.a. William F. Insley{born 1929, of New York City. See AskArt , [and type in his name], which has him listed in 29 books-http://www.askart.com/theartist.asp}.
tiny_updated.gif 2009,
Will Insley was wonderful in the studio and a great organizer, he later introduced me to sculptorGem_Blue.gif Eva Hesse, [1936-1970 ]-[AskArt at http://www.askart.com/theartist.asp?id=30982} sadly just before she died of cancer in 1970 , while I was on a trip to New York City.
web.gifWill Insley, , Painter, Teacher,b. Indianapolis, Indiana-Mailing address: 231A Bowery, New York City, New York, U.S.A. 10002
[My professor at University of North Carolina in Greensboro 1967-1969][R.R. Bowker 16th edition-Who's Who in American Art,1984 and later editions 1995-1996]
+
web.gifWill Insley, the nonist by jmorrison blog has devoted a whole page to Will Insley with thumbnails photographs and large jpg images of eleven artworks by Will Insley. See: new3.gifhttp://thenonist.com/index.php/weblog/permalink/the_opaque_civilization/
 
Don't miss the blog comments page on Will Insley in thenonist; for some of his students and others have posted their thoughts and comments: Such as that by former student of Will's Morgan Croney: Quote : "will insley was my thesis advisor for my mfa at the school of visual arts. he is one of the brightest people i have met and has been a great inspiration and influence for my own work and art practice." - End Quote.- http://thenonist.com/index.php/weblog/comments/2334/ - Morgan Alexander Croney is a sculptor who makes works concerned with imagined space, "thought-space", and also writes criticsm; as well Morgan has interest in philosophy and books; and one book she lists is that of Will Insley - Will Insley: The Opaque Civilization: Link: http://www.morgancroney.com/interest/philosophy.html
&
this comment posted by: Jeremy Lundquist on o2/12: excerpt: Quote: "i just ran across william insley in a notation to barabara kirshenblatt-gimblett's "objects of ethnography" as she writes about detachment using the architectural fragments and ruins as an example.  the note follows her statement:
"the antiquarian john aubrey valued the ruin as much as he did the earlier intact structure."- End Quote.
the note then states:
Quote: "as william insley, an artist working in new york city, commented upon reading this paper, 'what was absent from the ruin is often less marvelous than we imagine it to have been. the abstract power of suggestion (the fragment) is greater than the literal power of the initial fact. myth evlevates' (pers. comm., 16 nov. 1989). insley makes architectual drawings of an imagined future city."- End Quote.
&
this comment posted by JJ Nicholson notes Will Insley's work with ancient and current architecture culture: excerpt::Quote: "will insley was an advisor of mine in the 4th year sculpture program at school of visual arts.  honestly, i could feel his influence was already profoundly shaping my career (meanderings through my own anthropomorphic architecture-at that of a hand to mouth existence), still i knew little about the artist and his dedication to structural investigation in context of the ancient.  the opaque civilization is a fantasy which understands the folly of trainwreck designs we encounter daily, and of certain vicissitudes of architects establishing them. - & excerpt: "he (Will Insley) also taught a class "sculpture as architecture" at cornell in the late 60's - " - End Quote. Website; http://www.bimpod.com/
 
Will Insley in AskArt.com : at http://www.askart.com/askart/i/will_insley/will_insley.aspx new3.gif
 
+
Thanks goes to The New York Times for keeping online earlier articles: Here is one on ART: WILL INSLEY's VIRTUAL CITY by Vivien Raynor, Published: September 28, 1984:new3.gif
http://www.nytimes.com/1984/09/28/arts/art-will-insley-s-visions-of-a-labyrinthine-city.html
 
Here is an excerpt: "LAST year at the Guggenheim Museum it was the miniature settlements of Charles Simonds that were made from tiny bricks of unfired clay. They evoked by turns the ''apartments'' and kivas left by the Chaco Indians, the remnants of Assyrian walls and the Sardinian towers known as nuraghi, as well as the lingams of Hindu mythology. Replete with mystery and eroticism, these ruined emplacements addressed themslves to the past and to the collective human unconscious.
This year it's the equally mysterious but more sinister cosmos of Will Insley, ''The Opaque Civilization,'' expressed by models made of mushroom-brown masonite, photo-montages, drawings and shaped canvases. Organized by the guest curator, Linda Shearer, Insley's art looks toward the future and has affinities with the awful schemes for mass living and working that architects are prone to and all too often get to realize. Some of the structures could be models for the kind of industrial park that skulks close to the ground and produces who-knows-what toxic wastes.
So it would seem that the two artists have nothing in common beyond the scale of their work. Insley, the elder by l6 years, emerged from the Harvard Graduate School of Design an architect, becoming a painter and then, in the mid-1960's, reverting to his original discipline. Well, not exactly, for despite a willingness - expressed to the curator in an interview for the show's catalogue - to have an idea reproduced full scale, he feels it would lose something in the translation. Besides, unlike architects who, he says, are ''concerned that things work and people don't fall down the stairs,'' Insley says art should ''exist beyond moral responsibility.''
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Gem_Blue.gifStephen Antonakos, Sculptor, a neon light artist, came down from New York City.born: in Greece, in 1926, Mailing Address: 435 West Broadway, New York, New York, U.S.A. 10012[My professor at University of North Carolina in Greensboro 1967-1969][R.R. Bowker 16th edition-Who's Who in American Art,flatbook.gif1984 and later editions 1995-1996]
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Gem_Blue.gifHead of the department wasweb.gif Gilbert Carpenter,[Carpenter, Gilbert Frederick, {Bert} born Billings, Montana,1920-, in AskArt, at http://www.askart.com/theartist.asp?id=68260} who painted giant images of roses, collected African sculpture, and bought a black Frank Stella painting. I advised him to buy a second one, which he was thinking of doing anyway, but I am not sure if he ever did.
 
I did mainly sculpture, but also did painting, some print making, as I had to finish my seri-graph portfolio thesis for RPI.
Mailing Address: 2505 West Market Street, Greensboro, North Carolina, U.S.A. 27403 -[My professor and Department of Art Head at the University of North Carolina in Greensboro 1967-1969][R.R. Bowker 16th edition-Who's Who in American Art,1984 flatbook.gifand later editions 1995-1996]
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Gem_Blue.gif1968 and 1969 - My Masters of Fine Art degree thesis advisor was author Arturo Vivante. Arturo was born in Rome, Italy in 1923. According to an online biography " Vivante has since been on the faculty of several American universities and is now retired and living in Wellfleet, Massachusetts." from web.gifArturo Vivante Biographical Information: http://www.nd.edu/~ndr/issues/ndr5/vivante/bio.html. My memories of Auturo are two fold. First memories are sitting in his office on numerous occasions and discussing my sculpture projects and his writing. I remember him as an exceeding gentle and kind man, with a wide smile and zest for life's many experiences, in particular the small nuances and exchanges between people. For example one memory I have is of Arturo Vivante telling me about a drive through the Alps with a woman friend, when his car broke down, he was able to take apart a package of chewing gum, save the silver liner, which were then made of aluminum and wedge that small piece somewhere in the car engine to successfully get the car going again. As I remember this tale Auturo told me, it was from one of his short stories or a novel, that he must have written before 1969. I am not sure which book it was included in. It could have been, flatbook.gifA Goodly Babe (novel), published by Little, Brown: 1966, or .flatbook.gifThe French Girls of Killmi (short stories) also published by Little, Brown, 1967 or flatbook.gifDoctor Giovanni (novel), also Little, Brown; 1969. Arturo Vivante could always tell a good tale. My second memory is how Auturo Vivante put me at ease during the thesis verbal exam itself; that exam included a number of professors asking me questions and took place in the lobby gallery of The Weatherspoon Art Gallery, where my four sculptures were installed. [Now called: web.gifThe Weatherspoon Art Museum, of the University of North Carolina. http://weatherspoon.uncg.edu/] Auturo offered me a cigarette, spent time carefully offering to light the cigarette for me, while smiling all the while, as if to say silently, 'Don't worry, you will do fine.' Vivante's calm presence certainly helped me to get though my verbal thesis exam, as I was very tense at the time. For more on these four sculptures and to see photographs of them. Please see page: web.gifCarol Martin at the UNCG[Sutton-Martin] / Weatherspoon
http://www.carolsutton.net/pip/carol_sutton_martin_UNCG.htmltiny_updated.gif2011
 
Carol Sutton Martin, at the UNCG, Sculpture Exhibition Weatherspoon Art Museum,NC Title: Three 4' color tri-sided cones attached to the wall 10' off the floor by one of their three equal points and one colored transparents surface three looped line which rests on the floor space of apx. 5 'x 15" Notes: Weatherspoon Art Gallery, Carol Martin, MFA Thesis Exhibit.
 
For more on Arturo Vivante's books see: AMAZON.com ; http://www.amazon.com/exec/obidos/search-handle-url?%5Fencoding=UTF8&search-type=ss&index=books&field-author=Vivante%20Arturo
 
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Notes© copyrighted by: Carol Lorraine Sutton, tiny_updated.gifFebruary 2011
END OF PART 3.

 


what.gifWhereabouts of many of these past friends are now unknown to me; as I am sure that I am to them.

If you find your name on this list please contact me. Thanks. Carol. e-mail Carol Sutton [image for anti spam effort]

prism.gifFOUND: THESE are my friends I have discovered via public domain information:

Sources: web.gifWhoWhere internet and |Four Eleven people search, |Yahoo people search.|www.anywho.com |searching www.infospace.com http://www.infospace.com/home/white-pages/ -white pages for details

Bookflatbook.gif: Sources:
Reed Publishing Who's Who in American Art, 1990,-
R.R. Bowker Who's Who in American Art, 1995-1996


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