It is beautifully shaded and has a soft transition
between areas of light to dark. The drawing is done as if there were a
spot light shinning downward above her head. In some box portraits, Walter
actually cut a hole in the box above the head so that actual light DID
shine down onto the head, such as in the work of a portrait of his baby
son Michael. #16.
This directed light shinning down on the subject
was staged, similar to the way in which Bernini [Giovanni Lorenzo-[1598-1680,
Italian baroque sculptor] staged a raking side light to shoot
across his sculpture beginning at her head and tapering off towards her
feet, in his sculpture 'Death of the Blessed Ludovica Albertoni', 1674,
in the Altieri Chapel, San
Francesco, Rome, Italy. Barker keep the light
from drifting away by having it contained within the box where it could
not escape. Barker did this in his both of these two works: 'Untitled'.
, painted, construction, 8" x 20", x 20", 1968, Private
Collection. and #17. 'Untitled' , painted, construction, 8" x 41",
18", 1968, Private Collection; this is a full figure portrait of a
man standing stiff and facing frontally forward, with a box painted around
the figure. It is not a self portrait.
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